Production: PL 1999

The film is a record of family life as seen by the son, a cinematographer. It was made in the author's home and pictures the conflicts between the mother and the son. During frequent arguments the parents speak straight to the camera.

Production: PL 2007

A documentary about two employees of a Sliseian dissection lab: the elder has more professional experience, and the younger is not yet entirely familiar with the secrets of harvesting organs. The film shows them during their work in dissection-rooms, as well as during conversations about this distinctive profession. The younger man has a son, from whom he has been concealing the drastic details of his work for a long time. He has a dream – to spend his vacation in the Seychelles. The elder man relaxes after work thanks by skiing and spending time in his beloved dovecot.

Production: PL 2008

The film shows the everyday life of Jacek, his conflicts with the overprotective mother. When all of a sudden a woman enters his life, a conflict erupts. After years of erotic abstinence, Ewa has awoken a man in him again. But this is when the mother steps in: Control yourself, you are 53 years old! -  she reprimands her ageing son.

Production: PL 2013

A film about desire, perversion, and concealed cravings, but also about the essence of man – the crossing of boundaries, and about our secret fascination with killers. The film juxtaposes two intriguing taboos: sex and death. Does the dark fascination with serial murderers tell us something relevant about ourselves? Through the character of Joachim Knychała, who in 1975-1982 murdered five women, we look at those whose life had been marked by the famous “vampire of Bytom.” Among them we can find ex-journalist Edward Kozak who, although of considerable age, openly admits to his various obsessions. Thanks to the film about the “vampire” he can once again enjoy the warmth of the spotlight.

Production: PL 2015

A distressing story about a Polish People's Republic-era serial killer on the loose in the 1960s. The script was based on Cracow's urban legends. One such legend tells the completely fictional story of the demonic Lucjan Staniak, called the Red Spider, while another is based on the authentic biography of the only teenage serial killer known to criminology: Karol Kot, “the Vampire of Cracow,” who became a real media star in the late 1960s.