In the mid-1990s, a television station attempted to recruit eight East German filmmakers for a series on the Blessing from the Sermon on the Mountain. Foth chose the “Silent” (“Die Sanften”) and made the film “Die Verweigerung” (“Refusal”) about a relationship between two men in a GDR prison. Who refuses to whom, when, where, how, and why in this film, surprises and questions hasty reevaluations.