Decisions about what to film within the confines of the specific parameters of the camera frame were determined as much by the decision to avoid filming what lay outside the periphery of that frame. This film explores and reworks perceptions of urban peculiarities found in an Inner Western Sydney landscape through ever shifting camera movements and unconventional editing techniques. Human artifacts in this landscape include such peculiarities as the desolate rooftops of multistorey car parks, street signage, telegraph poles, power lines, empty construction sites and shop front awnings. The re-working is a fractured spatio-temporal continuity that pursues, in the visual and auditory realm, a new mode of expression that seeks to expand cinematic thought.
